At dawn the order came that the hospital was to be evacuated. The ambulances were already waiting in the street. Joan flew up the ladder to her loft, the other side of the yard. Madame Lelanne was already there. She had thrown a few things into a bundle, and her foot was again upon the ladder, when it seemed to her that someone struck her, hurling her back upon the floor, and the house the other side of the yard rose up into the air, and then fell quite slowly, and a cloud of dust hid it from her sight. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.!

“Oh, I don’t know,” laughed Joan. “Dr. Johnson always talked of a ‘dish’ of tea. Gives it a literary flavour.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.

They were at the far end of the corridor; and the few others still promenading were some distance away. She had not delivered the whole of her message. She crossed to a seat, and he followed her. She spoke with her face turned away from him. She very much wanted to look at him, but she would not. It seemed to her quite a time before he replied. He laughed. “It isn’t always a pose,” he explained. “It’s some men’s way of saying: Thy will be done.”